The character’s voice

I’m reading Robert Goldsborough’s “prequel” to the Nero Wolfe books, “Archie Meets Nero Wolfe”. It’s okay. Archie’s language is much more refined in this than it was in the early books Stout wrote. He was a true roughneck in “Fer de Lance,” “The League of Frightened Men,” “The Rubber Band,” “The Red Box,” and “Too Many Cooks.” In this book we’re expected to believe that Archie, at nineteen or twenty, is a month or two away from Ohio and thoroughly self-reliant and composed enough to work smoothly with the early Panzer, Durkin, Cather (who, in a plain case of foreshadowing, is portrayed as a jerk, which Archie never quite said in the Stout-written parts of the Canon), and even Del Bascom.

Reading Goldsborough makes me realize just how impressive a job all those anonymous writers who worked for the Stratemeyer Syndicate producing books for the Nancy Drew, Hardy Boys, Dana Girls and other popular YA series in the mid-20th century did. Acquiring and keeping continuity in the voices of the main characters is really really difficult.

I’m only halfway through. So far I’d give Goldsborough an “A” for effort and about a “C-minus” for execution. We’ll see when I finish it.

3 Comments

  1. I agree. I bought a couple of Goldsborough’s early efforts and was totally unimpressed by the writing; and since I read Nero Wolfe books for the writing, I saw no point in continuing. Your description of his early Archie is just sad.

  2. I feel the same way about the Peter Wimsey books written by Jill Patton Walsh. For at least the first one, the plot came from Sayers’s notes, but she was tone deaf to the dialogue that made the books sparkle. (I have the opposite problem with Busman’s Honeymoon. The story was written by a friend of Sayers as a play. Sayers dusted it off when she needed a Lord Peter book quickly. She left the plot and some clunky scenes that worked well on stage, but re-wrote the dialogue as some of the best in the series.)

    Also, Archie is my first choice for Fictional Character I Would Marry In A Heartbeat.

Comments are closed.